After a few twists and turns of a mixture of Schubert, Mozart, Rodrigo and a few other lesser known composers, I found myself picking up Bach again. Beneath the Bachian structure and order hides a wealth of the most colourful emotions. Such blissful indulgence.
Upon my music stand now is the Gavotte from Bach's Lute Suite BWV 1006a. Come to think of it now, isn't that what I've worked through half a year back?!? The process of re-working through this music on my new instrument has revealed to me another level of beauty into the piece. It does seem technically overwhelming when beholding such musical depth into this work, especially when I have such a dying desire to bring out the beauty.
The campanella passages on the guitar sounded so charming! (Campanella is a composition device which involves the execution of an arpeggic passage of similar notes on several courses, more commonly known as strings today, of the instrument, resulting in a most charming confusion of tone colours. It is pioneered by the early baroque composers for the baroque guitar. If I don't recall wrongly, it was first mentiond by Luis Garcia-Abrines in his instruction for Spanish guitar playing.) I realised how much I had been missing out on with my previous ill-intoned instrument. Can't wait to pick up the Prelude of this Suite, which I've been putting aside due to my past inability to play those campella passages in tune (which can be incredibly irritating). And now, the smell of freedom, when I'm no longer restricted by my instrument.... How blessed I am, I'm so thankful!!
Hopefully that's a piece I can prepare in time for the musical soiree this coming Saturday with some fellow musician friends.
Like a musical work which starts in the tonic key and ends in a tonic key, I've landed back at Bach again, feeling all refreshed and at home again...